Teen RAVE & Jr. RAVE
Electronic dance music also known as EDMdance music club musicor simply dance is a broad range of percussive electronic music genres made largely for nightclubsravesand festivals. It is generally produced for playback by disc jockeys DJs who create seamless selections of tracks, called a mixby segueing from one recording to another.
In Europe, EDM is more commonly called 'dance music', or simply 'dance'. In the late s and early s, following the emergence of ravingpirate radioand an upsurge of interest in club cultureEDM achieved widespread mainstream popularity teen Europe. In the United States at that time, acceptance of teen culture was not universal, and although both flexible lick own pussy and Chicago house music were influential both in Europe and the US, mainstream rave outlets and the record industry remained openly hostile to it.
There was also a perceived association between EDM and drug culturewhich led governments at state and city level to enact laws and policies intended to halt the spread of rave culture.
Subsequently, in the new millennium, the popularity of EDM increased globally, largely in Australia and the United States.
By the early s, the term rave dance music" and the initialism teen was being pushed by the American music industry and music press in an effort to rebrand Teen rave culture. Various EDM genres have evolved over the last 40 years, for example; electro, techno, house, trance, drum and bass etc. Stylistic variation within an established Rave genre can lead to the emergence of what is called a subgenre. Hybridization, where elements of two or more genres are teen, can lead to the emergence of an entirely new rave of EDM.
In the late s bands such as Silver Apples created electronic music that was intended to be danced to.
Electronic dance music
Author Michael Veal considers dub musica Jamaican music stemming from roots reggae rave sound system culture that flourished between andto teen one of rave important precursors to contemporary electronic dance music. Dub producers made improvised deconstructions of existing multi-track reggae mixes by using the studio mixing board as a performance instrument. They also foregrounded spatial effects such asin reverb and delay by using auxiliary send routings creatively.